Wednesday, 30 August 2023

No 141 – The use and abuse of animals: Albany 1820-21

 

Baines' painting of Grahamstown, ca.1850, shows animals as present but marginalised.

From my south-facing windows I look across the coastal plain towards Port Alfred and Kenton. The landscape is etched and scarred with innumerable human interventions: new roads and the traces of abandoned roads, new fences and the traces of old ones, fields of grass carved out of the infamously thorny Albany thickets. Powerlines and firebreaks and buildings.

            The “scratches on the face of the country”, so characterised by the early traveller John Barrow, pretty much began in this area with the arrival of the 1820 settlers. No doubt the plain had been variously modified by human presence, Khoekhoen, Bushman and Xhosa, long before the colonial invaders came. In 1820 there was scarcely a wagon-track between outposts; mostly they still followed trails opened up by the elephants. But they were quickly setting up surveyed farms on the land from which the Xhosa had been ejected, establishing homes and roads and mission stations and tiny outposts like Graham’s Town.

            The history of these often hapless and ill-equipped settlers has often been told, whether in hagiographic or embittered decolonial terms, but not, as far as I know, much with animals in mind. Jack Skead has exhaustively catalogued the early mentions of wild animals in the travelogues, but not the domestic. Sandra Swart’s admirable history of the horse in South Africa, Riding High, rather leaves the Eastern Cape out. Craig Patterson’s PhD study somewhat fills that gap. But what of all the other species, wild and domestic, whose presence was constant, but mostly only casually remarked? It seems to me there’s much yet to be explored of the intimate network of animal uses and abuses in this period. For it’s clear that in every aspect of society, whether Bushman, Xhosa or white settler, dependency on animals was total. They simply would not have survived without animals.

(This may still be true: I look down on the one hand on the white flecks of cattle let loose in the bush much as they were two centuries ago; some of them get periodically stolen, just like two centuries ago. One prominent cluster of buildings houses a dairy and a slaughterhouse; the business calls itself “Beefmasters”, which says all you need to know about the power dynamic there. On the other hand, several former farms have been amalgamated into a broad game ranch: with binoculars I regularly spot impala and eland and giraffe – all “extra-limitals”, by the way, which did not occur here in 1820. The grazers perpetuate the distinction between grassed fields and thicket, but new pressures on the vegetation are showing: the thorn trees that dominated one patch have been eaten down to the nub by the giraffe. The point is: exploitation of animals remains key to local human well-being.)

What of 1820?

I dip here into only three of the sundry diaries and memoirs dating to 1820 and 1821. It would take much wider reading to confirm or modify the impressions one gains from this limited sample. But here we go.

One is The Journal of William Shaw, edited for the Graham’s Town Series by WD Hammond-Tooke. Shaw was a Wesleyan missionary specifically assigned to the 1820 settlers of the Albany district (now Makana), later to the Kat River settlements further east. His journal for the years 1820-21 is sketchy compared to later years, and one hopes his sermons were less dull. He batted back and forth between farms and embryonic centres like Salem and Bathurst, praising God for everything, good or misfortunate. When he was thrown off his horse, he praised God that he’d suffered no “material injury”. When his horse gave out and was abandoned on the road, he praised God that the delay saved him from running into an elephant. No word on the fate of the horse.

This is typical of the offhand attitude he brought to animal presences. He rode here and rode there, but says next to nothing about the animals themselves. Though he did a good deal of exhausting walking, it’s clear that travel was entirely dependent on animals. Wagons come and go, but he says nothing of the teams of oxen that drew them under threat of the whip. Animals must have been looked after, but in a purely instrumental way. At outspans they were just left to find their own grazing. Inevitably, some would get lost, or rustled by Xhosa raiders, or taken out by lion, leopard or hyena. More than once Shaw’s horse couldn’t be found in the morning, obliging him to walk. Some horses, he recorded, succumbed to a “very peculiar complaint”, which he attributed to “an almost entire want of food”. Especially in drought conditions, the prevalent sour veld (Zuurveld) offered meagre pickings. In short, they starved.

As for wild animals, they were around. In some tracts “one is surrounded with bushes and hears nothing but an occasional scream from the Jackalls, a dismal hungry toned howl from the wolf”. Shaw recorded that one man, on a Sunday, set off to walk to Graham’s Town, but was turned back by two lions “en couchant”. So the fellow had to attend church after all, praise the Lord. Once he himself had to take refuge for a night in a “Hottentot” kraal; having no bread, they fed him broiled buffalo and milk. Interestingly, Shaw seems reluctant to eat “flesh as a substitute”. He may have been a closet vegetarian, but most people on either side of the shifting frontier were largely dependent on animal flesh for survival, whether ‘ranched’ or hunted in the wild. But, looking back on his first year in the district, Shaw wrote: “Within one year, desert places have been taken possession of by a multitude of men, the beasts of the field have very generally retreated to make room for them.”


Another source
is the chronicle of the rather less well-educated Jeremiah Goldswain, recently made available in a new edition by Ralph Goldswain. Again, the feisty Goldswain was more focussed on his innumerable setbacks than on the role of animals. Nevertheless, the settlers’ dependencies on animals is clear. Like Shaw, he rode horses or oxen when he could and walked when he couldn’t. Wild encounters were regular, as when he ran into “a very large buffalo. Had it not been for our dogs we should have been in a very awkward position.” Indeed, dogs are omnipresent, but seldom if ever individualised. He also followed tracks pioneered by elephants, though they didn’t always lead to your intended destination. Amongst his many commercial endeavours he tried bartering cattle, suffering like everyone else rustling by Xhosas or Bushmen; the former were often trying to retrieve beasts the settlers or British military had stolen from them in the first place. He mentions the heavy reliance on meat-eating, noting, for instance, supping off a sheep hanging up in a settler hut and roasted. This was after having his own house burned down, leaving him with nothing but his “sheepskin jacket”: the settlers were almost as dependent on animal-skin clothing and leathers as the Xhosa were. (All these examples being drawn from just two pages of Goldswain’s account.)

By far the most eloquent and liberal-minded chronicler of 1820-21 was the Scottish poet Thomas Pringle. He did write some poems regarding animals, as well as innumerable letters; the latter, finely edited into a volume by Randolph Vigne, are overwhelmingly involved with the legalities of land ownership and seeking relief from drought and Cape Town censorship of his views, and seldom linger on the animal presence. More fruitful for our theme is his memoir, African Sketches (accessible online). Here the constant background of conflict over domestic beasts and with wild beasts emerges more strongly; he devotes a whole excitable chapter to hunting anecdotes, not all his own, foreshadowing the popularity of African hunting-adventure books throughout the nineteenth century – the imperial century that would see the extirpation of almost all wildlife under the assault of European firearms. The effects are already evident in 1820.

But I want to focus on just one remarkably fine-grained description, which almost inadvertently reveals how deeply the animal was implicated in daily household living on the frontier. From his allocated Glen-Lynden, near Bedford, Pringle takes a ride towards Cradock, on “the light and hardy horses of this district”, following mountain paths cut by quaggas. In the Tarka valley, he drops in on the homestead of one Winzel Coetzer – named Elands-Drift, rather misleadingly translated as Ford of Elks. (Even names are animal.) Pringle regards it as a “fair average sample” of a Dutch-settler establishment. He is first greeted by a “host of some twenty or thirty dogs”, “growling guardians” fully primed to tear a suspicious visitor to shreds, dispersed only by the Coetzers “hurling at them a few of the half-gnawed bones and bullocks” horns which are lying about in profusion. A minor industry of stock-raising, slaughter and meat-eating lies behind this detail – mostly mutton in summer, when beef could not be properly cured. “Flesh, and not bread,” Pringle writes, “is here the staff of life”, and it’s not thought odd to have a dead sheep hanging in the voorhuis. The stock attendants – “Hottentots” – live in reed huts known as hartebeest-huijses. The more substantial Coetzer house reeks, probably literally, with animal products. The floors are made of the peculiarly hard prepared earth gleaned from ant-hills, though only those already raided by the aardvark – otherwise, Pringle almost chuckles, you’re liable to have another termite colony erupting under your feet. A skimming of cowdung on floors and walls also helps keep the fleas down. The unglassed windows are closed at night with untanned quagga skins; the reeds comprising the front door are lashed with thongs of bullock-hide. On the walls are hung a variety of animal-derived accoutrements: “hunting apparatus, dried flesh of various kinds of game, large whips of rhinoceros and hippopotamus hide (termed sjamboks), leopard and lion skins, ostrich eggs and feathers”. The men are wearing trousers of home-manufactured sheep or goat skin, and – sometimes – veld-schoenen of raw bullocks’ hide – a Hottentot invention. Juffrow Coetzer sometimes sold leather clothing she made; Pringle bespoke a jacket of springbok skin, with a gesture towards a localised fashion aesthetic in facings of leopard-fur, for 13 rix-dollars, about a pound sterling. He also purchased a leopard skin for a handful of gunpowder. The home-made soap certainly contained animal fat. All of these imply complex processes of economies far and near: the crafts of weapon- and whip-making, of the progressive obliteration of wild animals, of their hides’ integration into a commerce of prideful display and conquest.

            Though the family had established quite extensive orchards and gardens for a variety of imported fruits and vegetables, old Coetzer regarded his cattle as “de beste tuin” – the best garden. Pringle describes a complex of kraals and folds for the cattle and sheep, enclosed with thorn branches against “the nocturnal assaults of the hyenas, leopards and jackals”. Some of those sheep would be driven – on foot, that is – seven hundred miles to Cape Town. One heck of a journey. Though Coetzer possessed what Pringle estimated at 700 cattle, the herders seldom counted them, but could nevertheless quickly discover whether an individual was missing. It expressed, Pringle goes on to note, local Africans’ “interest in the welfare” of their herds, since by custom every youngster grew up with a cohort of beasts to cherish for the future, not least for paying dowry. Pringle shows at least some understanding of the profound cultural significance of cattle to the Xhosa people. This of course would reach a catastrophic denouement in the 1856 Cattle Killing. Pringle had by then long departed, but Jeremiah Goldswain witnessed it.

            Whichever way you look at it, the animals had a pretty rough time of it, most often fatal.

            This pinprick of a spot-check reveals both the ubiquitous dependency on the animal, as well as the paucity of attention yet paid to it. Get to work, O ye scholars!

            Incidentally, so far I have found no mention of either the domestic cat nor the donkey – both equally ubiquitous modern presences in Makana cultures. When exactly did they come in, I wonder?

 *****

Animal products more central in Baines's 1849 painting of an ivory sale in Grahamstown.

 

 

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